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Mikel

10 Jun 2020

Text by Mikel

ØLÅF Citizens: Chris Kore

10 Jun 2020

If 2020 has shown us anything, it’s that digital technologies have become extremely pervasive. The way our lives intertwine with technologies is striking, as it seems like it has become truly impossible to live without. Digital artist and designer Chris Kore is someone whose life revolves around the digital influence in our environment. In the middle of the Covid-19 turmoil, we had a call with her to talk about her work and ideas.

WILLARIS K - COBAKI SKY - A series of video artworks for Australian electronic and ambient producer Willaris K on the Astralwerks Records label.
Hi Chris, how is life at the moment for you? Are you still in the Netherlands?

“Yeah still here! These are weird times, but as a freelancer, I think I’m kind of used to it. Many projects (especially physical exhibitions) have been canceled or postponed. But it’s interesting to see that many brands are now calling upon digital artists more than ever."

 

How would you describe what you do?

“I like to call myself a digital dreamer. You could see it as a combination of an artist, designer, and digital world explorer. I like to think outside of the (digital) box and about things that are not possible in physical reality. It’s very multidisciplinary. That’s nice about the era we’re living in. Many people work at the intersection of different fields."

 

WILLARIS K - 5'OCLOCK - A video artwork for Australian electronic and ambient producer Willaris K latest release '5’OCLOCK', on the Astralwerks Records label.

 

How did you come to this exact intersection?

“I think everyone in the world wants to find themselves. I grew up in Ukraine and it was hard to find a fitting creative outlet for me there. I started studying Architecture in Lviv when I was 17, and after that, I traveled around a bit. I’ve lived in Florida for a moment, and I ended up at the KABK in The Hague to study Graphic Design. That’s where I found my thing."

 

With two bachelor’s degrees you have plenty of formal training, do you implement your architectural background in your current practice?

“A little bit. Architecture gave me knowledge of space which I still use in my digital work. I learned to approach my work critically and think creatively."

 

I’ve always seen art schools like KABK as sort of separate ecosystems. I have the impression that everyone gets brainwashed with the same information and ideas.

“I can understand that. Art institutions tend to be bubbles."

 

ATTENTION.VALUE - Canvas is a video art installation initiated by TivoliVredenburg of 150 m2 situated in Park 6, Utrecht.

 

How do you manage to get out of that bubble?

“I’m not sure if I succeeded to break out of that, but I tried my best to get influences outside of the art institutions. My background and previous education surely helped with that. There are so many international students in the Netherlands who all bring a fresh perspective."

 

Is it dangerous for an artist to live inside that bubble too much?

“Yes, but it’s also hard to stand out. Even online; everyone on Instagram is influencing each other in a way, and the algorithms push it even further."

 

Talking about that, your work has a lot to do with algorithms and AI. Could you tell me a bit about that?

“I like to think about how physical and digital spaces merge. With my graduation project AImnesia, I tried to imagine how AI would fill in memory gaps by creating fake memories that are plausible enough to be perceived as real. Social media is already some kind of external memory, and that raises concern regarding the ethics of AI. I wanted to critically assess the centralized power of those who are sponsoring the research and creation of these algorithms, as well as the selection of the databases on which AI’s learn. I believe there is a general unawareness and bias regarding the rapid development of deep learning."

 

AIMNESIA - The AIMNESIA project focuses on the concept of human hybrid memory, which can be augmented, influenced, and modified by AI.

 

Where does your fascination with technology and the future come from?

“It comes from my childhood. I’ve always been more interested in futurism and science fiction than in contemporary reality. It allows you to dream about things that aren’t possible. Things like space travel, teleportation, double realities. I think movies portray this combo the best."

 

Can you name a few examples?

“The Matrix, 2001: A Space Odyssey, Solaris, Blade Runner. I actually was partly inspired by the idea of memory from Blade Runner in my graduation project called AImnesia. It’s about human memory that can be augmented by digital technology. AI algorithms can be trained on these big data sets and, in theory, be able to recreate lost memories."

Do you think we could see something like that in the future?

“I think technology changes everything today. We had an industrial revolution and now we live in the technological revolution. It's interesting and frightening at the same time how this intervenes people and nature and our lives overall. With the recent news and changes in the world, we cannot deny how powerful the influence of evolving technologies is. It's crucial to find out how we can navigate through the new reality, which is filled with fake news, surveillance, data collection, and targeted content."

 

SS-20 GROWTH & DEVELOPMENT, Helianthus Agapanthus.

SS-20 GROWTH & DEVELOPMENT, Hidrangevia Nobilis.

 

How do you translate that into new work?

“I like to reconceptualize things in a more positive and thoughtful way. Our reality already feels like we’re living in a dystopian movie. I might be interested in science fiction, but I don’t want to live in this future; I just want to see it on a screen! I try to imagine the world I’d like to be living in in the future. My works are usually quite bright and colorful."

 

Prime example: your latest work for OLAF HUSSEIN.

“The timing was perfect. With the pandemic and everyone freaking out, choosing these colorful hybrids was a way to show that we can imagine this dream world where you can still enjoy beautiful objects indoors. It’s posing the idea that nature will adapt to technology development and change in the environment. These flowers don't exist in reality, but we already have gen-modified foods and animals, so hypothetically, it wouldn't be impossible to combine a part of a sunflower, with leaves from a lily and other flowers or plants. It’s based on MIT research on plant nanobionics. Plants can naturally evolve into hybrid species and adapt to the environment. Russian scientists have recently developed a glow in the dark tobacco plant, and it kind of looked like our project! That was so cool!"

Tiffany Chung

29 Nov 2021

Text by Tiffany Chung

ØLÅF CITIZENS: Emmanuel Lawal

29 Nov 2021

Emmanuel Lawal is a man of many talents: model, DJ, music producer, brand consultant, but first and foremost, creative entrepreneur. In this edition of Citizens, the born and raised Londoner tells us about his city, career, and latest project – The ACS Show.

 

Hey Emmanuel, how’d you get your start in music?

“In terms of knowing what I wanted to pursue in my career, it was from being at fashion events and afterparties. I wanted to do more than just be a guest. I knew I’d love to be part of it, do nights, program nights, DJ, and everything else. But my actual start in music was just from being around musicians in general and having a community of musicians that gave us the opportunity to DJ for them, produce for them, and get immersed in their own careers."

 

How did you and your business partner, Ashton, meet?

“We were signed to the same agency when we first started modeling. I was 19 and Ashton was 16. Going to Milan, Paris, all these shows in Europe and America, we just created this bromance from traveling, living, eating, and working out together. Being like-minded individuals, we decided to join forces to create something."

Photography by Travis Gumbs.

With Ashton.

 

How would you describe your partnership?

“Whether it’s business, creative, or financial, we both do the same stuff. In terms of role and character, I’d say Ashton is the good cop and I’m the bad cop."

 

Tell us about The ACS Show.

“We were doing a lot of radio shows in London, both commercial and underground, NTS, Rinse FM, Capital XTRA and BBC Radio 1Xtra. We had these small residency series off the back of DJs that were already on those shows and what we wanted to do is to create a show within those spaces but realized very quickly that we had no creative freedom. So, we decided to just make it ourselves and do something that feels a bit more us. Be in a position to pick the guests and tailor it to our own interests. We just wanted to give people inspiring, insightful conversations from people that kind of look like us and speak like us."

 

 

Is there anything that you want to try next?

“Not really. I just want to keep carrying on with the broadcast and keep creating spaces for me to breathe in when it comes to fashion, music, and lifestyle. Everything else is just up to destiny. I'm just happy with where I'm at now."

 

Music, fashion, travel, sport. If you had to give up one for the rest of your life, what would it be?

“Easily sport. Music is something I listen to every single day. Fashion is something that I have to think about in order to get ready. Sport is something that I do when I have the off time, it's a bit of a hobby, and I'm definitely not making any money from sport haha."

Fashion is something that I have to think about in order to get ready.

Self care.

 

 

What is the best and worst advice you've ever been given?

“Worst advice is probably somebody telling me somewhere along the line of ‘this is impossible, and you can't do this’. The best advice was ‘move towards it’. It wasn't even advice; I was speaking to one of my mentors at the beginning of the year and saying how much juice and energy I have at the moment and how much I wanted to create. His response was actually just ‘move towards it’ and it made me realize that even a step forward is better than a step back, even if it's a tiny step forward. "

 

What has been your favorite brand to work with?

“Prada. I loved Prada since I was a child. From the age of 12 to 15, I wore Prada to school. I didn’t go to an affluent school where people had unlimited pools of money, I saved up so much money to buy it. So, it was one of those full circle moments working with them. It wasn't something I did for the paycheck, I'm proud to wear the stuff because of the child in me that just loved to wear them in school."

 

Working with Prada.

 

 

 

What's your staple fashion item?

“My staple item would probably be jewelry because we change clothes. So, I would say somewhere between my Cartier bracelet and my Rolex."

 

Three songs that best represent you.

“At the moment:"

 

Name your favorite part of London.

“Greenwich, probably. I grew up there and it’s so different anywhere else in London. It’s not super fancy and it's not super hood, it's just normal. It’s so diverse, it’s got both historic and new monuments, and the O2 arena. It’s a good balance."

 

If you were to live in another city, what would it be?

“Berlin. We love Germany. We haven't been able to go back for a while, but we’ve been fortunate to play a few things in Berlin. It's not like there is a massive hip hop presence but the kind of people there just love the music and are there to have a good time."

 

Emmanuel with the ØLÅF Puffer Jacket.

 

Best music venue ever?

“The Elbphilharmonie in Hamburg. I’ve never been there but I’m dying to go. It's incredible, from the layout of it, to the chairs, the light, acoustics, the whole thing. The design and architecture make it the best venue in my opinion."

 

 

Name a person, place, and thing that inspires you.

“Person. That’s a hard one. Can I say God? I’ll say God."

 

“A place that inspires me is London. Naturally. London has so many success stories whether it's football, music, fashion, community lifestyle, culture, business. So many people have made it here."

 

“In terms of a thing that inspires me, I would probably say, it’s an idea. The idea of achieving everything. Knowing that you could possibly achieve what you put your mind to. Even if you haven’t achieved everything that you want to achieve or know how to exactly, it keeps you going, getting to one hurdle, conquering it, then another. Then you realize everything can be done. I think that is so inspiring."