09 Mar 2021
“It’s called ‘Now, but not now, but maybe even never’. It’s inspired by the sadness I felt my first winter in Amsterdam because of the lack of sunlight and the anxious time we are all living in now. It’s a concept called ‘solastalgia’ which describes the anger, anxiety and different feelings you get when your environment is changing around you. So, I created this fountain that combines fabric and liquid representing a kind of fluidity and adaptiveness to change that brings hope and new energy. I also used tanning bed lights to give the feeling of sun and combat the lack of light."
“When I was a child, I used to say to my mother that I would be an architect. But I studied graphic design in Spain and worked in a design school for 4 years as a graphic designer. I decided to quit my job because I needed something else. I was more interested in creative spaces, how objects work in spaces, and creating atmospheres."
“I thought about going to Berlin first. But I visited some friends in Amsterdam and decided to apply to the Gerrit Rietveld Academie instead. I started contextual design but realized that it wasn’t for me. So, I switched to another department called ‘Design Lab’ that is based on material research. It's very open and very free."
“They’re really different. I think there’s something very special and particular to Spain, the atmosphere of the people, and I would like to do something creative with it in the future. In the Netherlands, there are many artists from different countries here so this can inspire and blow your mind."
“In Amsterdam Noord. I'm quite lucky because I literally live in front of my studio which is something that I never thought could happen. It's super cool. It's very important to be in a domain for you to develop your things."
“Yeah, it depends on how I feel. My work is very intuitive, my methodology is guided by emotions most of the time. I like techno or electronic music when I want to keep my energy up, but sometimes I just need something more pop or relaxing. Sometimes I need silence."
“It’s funny that you ask that because I think that’s the expectation now but it’s actually because of this situation with Covid. I was not feeling very good, being alone every day, not in the studio. Then, I met some people that were working with ceramics and I thought I’d try to just make something out of nothing. No serious expectations, just fun."
Ceramic piece from the future.
Table for tea ceremony.
“Exactly. I made some vases, tiny pieces, and then I decided to make candle holders. Basically, I started to post on Instagram as a way to make some income during Corona. At first, I was afraid to post and wanted to delete it, but then I got many messages from people that liked it. So, I continued to do more and found myself selling candle holders."
“I have no clue. I really want to try to explore more things and see what I can do with it. I want to develop conceptually. I want to move to another city too. When you move to a place, you get new ideas. I love Brussels. I think it's a very good city because I like the flow of the people and I like that it’s a bit dirty. It’s also a very queer city. There are also possibilities for creators, like designers and artists. Then, I’d like to go somewhere else like Mexico."
Alex working on the fontain.
‘Now, but not now, but maybe even never’
“People on the street inspire me. In Spain, I used to take many photos of people and observe how they are different. The pictures are on my @v_____________i______________p account. To me, these people are real heroes because they might look a bit weird, but I think they are very authentic. They are their true selves no matter what. That’s very cool and I wish more people were like that."
“Also, conversations inspire me. I learn more by talking with my friends. Many of my friends are artists, so I can talk with them about work and ask how they see things, or how they express things, or what their process is like. I think it's very powerful to have conversations and get different perspectives."