21 Feb 2021
“Yeah, I have kind of a weird backstory. I went to school for speech language pathology. I had a deaf boyfriend when I was in high school and became fluent in sign language. I was very passionate about it, so I went to school to pursue it. Then I got to school and realized that I liked sign language more for the art of it and the visual form of communication. I toyed around with switching to an art or design school, but I ended up staying at the college I was at and started doing a general media program. I was doing more design, website design, packaging, that kind of stuff. That led me to my internship with Reebok right after I graduated. I still don’t know to this day how I ended up getting this internship because I had zero experience in terms of the fashion industry and footwear. But they had me come on as a graphic designer making graphics and prints for sports apparel, like running tights and tanks. That’s really when I started to learn about fashion; the patterns and the construction that comes with making clothing as well as the production side of it, like going to factories and understanding timelines. It was really during that time where I was curious to know how things are made. That's when I started to mess around with footwear, taking samples and things that were just laying around the office, cutting them up and frankensteining them together, just seeing what I could make out of it. During that time, everything was exploration and that’s kind of where I still am today. Everything I do is always practice. It’s always exploration. It’s never anything that’s meant to function perfectly or to be sold and mass produced. That’s never the intention behind it."
“I get that question quite a lot, ‘Do you consider yourself more of a fashion designer or an artist?’. It took me a little while to figure out where I sit in the space. To me, I think I’m more of an artist and it just so happens that my medium is fashion. A lot of the pieces I make do function, they can be wearable pieces, but it’s just more about concept and an idea. So, I think that would sit more in the art space."
“Uhm, it depends what I’m making. I think footwear is probably the thing that I’ve gotten the fastest at because I make shoes the most. I think a shoe would take me up to 1 or 2 hours. It involves the least amount of material and pattern making. I’ve spent days on things, and I’ve spent 20 minutes on things. It varies. The funny thing is — in terms of social media which is the more instant gratification type projects — the less time I spend on a project, the better it does in terms of engagement. The things where I just think of an idea that’s kind of stupid and it only takes me a couple minutes to put together are the ones that tend to do really well. It’s never the ones where I painstakingly spend hours stitching, sculpting, and figuring it out. But I always hope that the people that really understand what I’m doing in terms of construction are the ones that see it and can appreciate it."
“Recently, I did a glove made out of bread which surprisingly did super well. I literally just carved out a piece of bread and stuck my hand in it. The idea was ‘warm and toasty’. That project only took me less than half an hour to make and it did quite well. It had a little bit of a viral moment. I also did a project where I put a stamp on the bottom of a high heel. It was such a simple thing and did so well."
“It was a personal project. I did an auction in June last year for Black Lives Matter. I put my head down and was grinding and made 6 or 7 pieces by hand in less than a week. I put them up for auction. I didn’t really know what was going to happen, but I just felt like I needed to do something to help in some way. I think we raised $20,000 in a couple of days and that’s probably the most fulfilling thing I had done as a freelancer. To share and help as much as I could through creating art was very rewarding. I was very happy about that. It inspired me to go and pitch to work with brands for more charitable opportunities. Finding ways to do auctions and have them donate, raise money, and raise awareness."
“A lot of things. I never intended on going freelance. I always thought I was going to work in a company. The way I grew up, my parents taught me that secure jobs are a good thing, growing in one company from start to finish is a good thing. So, when all this started to take off and I was talking to my parents about the opportunity to work for myself and be a freelancer, they were freaking out and were like, ‘What about your 401K? What about health care?’. It was really nerve-racking to take that jump. You do lose this sense of security. At the same time, it's a very rewarding decision. Working for yourself, you're making your own luck in a way. Everything that you do, you can take a step back afterwards and say, ‘I did that. That was mine and take ownership over it.’ It's a good feeling. I’ve always kind of gone with my gut and that usually tends to work. But there are a couple things I wish that I was a little bit more knowledgeable in and on myself about, like understanding taxes, establishing my residence and my studio residence, and all of the more logistical things of running a business. I’d also say, maybe save a little bit more before you quit your full-time job."
“Yeah, that was such an ‘oh shit’ moment to go through. Especially to have that happen in less than a year of being freelance because a large part of my business was traveling for workshops, meeting with brands, and hosting events throughout the world. Right before the pandemic, I just finished teaching a workshop in China, I was about to leave to go to South Africa, and the following week I was going to be in London, then all of a sudden all that just gets pulled out from under me. I was like, ‘Woah, woah, what's going to happen now? That's a huge part of my business. If I can’t travel and I can't do these things, what’s about to go down?’ I freaked out a little bit. I was nervous but I took a step back and let everyone regroup because all these brands were in the same situation where they're freaking out too. Two weeks later, all these brands came back to me and proposed digital workshops and social media things. It was a way to leverage being home and because so many people are consuming content in masses which is a big part of what I do, I was like, ‘Okay, what if I work with brands and help find cool ways to help their brands on social media?’ So, my business became a little bit different during this time, but I've embraced it and it's been fun."
“Yeah, I’m really fortunate to have had the opportunity to travel as much as I have. I mean obviously not during this time, but when I was working at Reebok traveling was a really important part of our job. We would go to the factories in China and Vietnam. From there, I would always take trips to Thailand, the Philippines, and Japan. I loved that part of my job. When I left Reebok, I was really nervous that I wasn’t going to get to travel as much. It was so amazing when Adidas reached out and invited me to come to Shanghai and teach a workshop. So, I went to China and that was a cool experience because I felt a connection to sign language by teaching a workshop to people where we don’t speak the same language at all. We were making something together but had to communicate and speak to each other in a visual way. That really inspired me. I want to continue to travel to other countries and try to find ways to teach workshops to young people and people who are just curious about the industry."
“I’d say this is probably the most important advice as a freelancer, it’s kind of corny, but don’t lose the reason why you started doing it. I think sometimes it gets really blurry and all these amazing commission projects come into play — and obviously you have to make a living, that’s first and foremost — but a lot of the time you lose the passion of why you started creating the things, or writing the things, or doing the things you were doing that inspired you to want to be a freelancer. Personal projects are still something that I feel very passionate about and something I carve out a lot of time to try to do that. A lot of the time it ends up being late nights and weekends to still maintain those projects. It’s tough but you have to make sure you do it or you’re going to lose your sanity."
“Finding the balance between the commissioned projects versus the personal projects. It gets busy sometimes and the first things to go are your personal well-being and mental health because you’re just in grind mode and sometimes that can last a really long time. Right before Christmas, I was back-to-back-to-back on so many projects and by the time Christmas came I slept for like a week straight. It was amazing but I realized that I pushed myself way past my limits. It was kind of funny because the week that I was able to sleep and rest and not check my email, my skin was so good."
“Yeah, I mean I still do. Full transparency. It’s really hard not to feel like that sometimes. Especially not coming from a fashion background or product design background. I just kind of show up and am like, ‘Oh look at these things that I’m making that could fall apart at any moment.’ It’s hard but you have to find this level of confidence and ride that. Ride the line of staying open and humbled by what you're doing, but also feeling confident in what you're making and your ideas. You don’t have to be an expert. You don’t have to come from a prestigious school where you learned all the tricks of the trade. You can learn as you go and own that and be okay with that. I’ve always kind of been this way. If I’m curious enough about something I’ll figure it out. I think a lot of people are that way. You just have to be confident enough."
“I would love to continue to build upon the workshops and become more of a non-profit. I see myself going in less of a brand direction and more of an educational direction or become a resource within the industry to support younger people who are looking to get into design. Kind of what I’m doing now but on a larger scale. I hope to have a team of people that can help come up with solutions for brands that have excess materials and get those materials to schools that need it. I hope to still be making things for fun too. I want to explore homeware and larger scale things. I started working in the furniture space, like chairs, but it'd be great to do bigger installations with upcycled materials."
North face puffer umbrella.
“Yeah, I rock climb. That’s my preferred sport. I love outdoor anything: clothing, accessories. There is just so much design detail that I think also gets lost quite a bit, like reflective details or trims, stuff that we don't always look at and get excited about. I love that kind of stuff."
“Ooh. Well, I’m always wearing a beanie. Mainly, I like Carhartt for beanies. I’m kind of traditional like that, I guess. I’d say Arc’Teryx jackets are my favorites. If I’m to buy anything new, Arc’Teryx would be the only outdoor brand I would go buy a jacket from. I find a lot of Patagonia, L.L. Bean, and Colombia in thrift stores. I usually wear climbing pants, Gramicci or North Face. Then shoes, I have National Geographic shoes. They’re really cool and no one really knows that National Geographic has shoes. They’re really sick. They’re like my prized possessions. I like Smartwool socks too. Socks are very important to me. Even for my projects too. The way I style my stuff, my socks are usually visible, so I don’t skimp out on the socks. Gotta go all in."
For a thing that inspires me, this is kind of weird and I guess it's ‘things’ plural, but I like oversized objects. Things that are meant to be in store displays. I have this oversized Vans shoe for example. I actually have a couple of these. I like the idea that things could be taken out of context completely and I think store displays are the best example of that. They just go crazy with it and then the stuff is always on eBay for really cheap after because no one knows what to do with it. So, I’d say my giant shoes have inspired me."
03 Oct 2021
“It grew out of frustration of having very veiled conversations with clients who wanted a specific look – at that time, everyone was calling it ‘urban content’– but they didn‘t have the language and were not in a position to say what they wanted to say. We wished we could do work that spoke to our own communities in a way that was authentic - made by US for US, so we decided to just do it ourselves. Everything we worked to put out in the world was made specifically for people of color, made by people of color. That’s where it was born from."
“If you’re a brand, it starts with having a diverse team. Not just bringing in people to fill periphery positions. When we’re at a table and speaking to a creative team, VP, or whoever is in charge of making decisions, those people need to be people of colour. You have to have people representing the audience you’re trying to connect to."
Photography by Travis Gumbs.
Art direction BY Cynthia Cervantes.
“As time has gone on, we’re trying to diversify the kind of work that we’re doing and spread into other areas. It‘s not just about creating content, we're really thinking about how our ethics and our intentions manifest themselves through our work and day to day lives."
“It starts with intention. What is the intention of what we're trying to relay? What is the intention of the story? In storytelling or stories we were told as children, they always end with ‘the moral of the story is…’ and that’s what we’re looking for. Second, is really understanding who or what it is we’re working with. Then you get a sense of what the imagery is. It’s about becoming inspired by that person's story and finding the nuances that are a part of that."
“I try not pressure myself to create anything or be creative at all. I just focus on the present and do something that makes me happy like meditate, cook, or spend time with my son. He likes drawing, so we draw together. It helps me get to a place where it feels good to create again."
“Now that our lives are so different because we have a child and our energy is divided into many different arenas of life, I think differently about my past accomplishments. I am thankful for them, and for the path that has led me to this place in my life, but more than looking backwards at the past, I am more so inspired to think about what my future accomplishments will look like."
Photography by Travis Gumbs.
Art direction BY Cynthia Cervantes.
“I am very excited about a project my husband has been working on for almost two years now. It‘s an extension of the work we’ve done together, specifically in regards to honouring our cultures and ancestral knowledge. It’s called Medicinal Plant Index. It’s an herbal supplement line and resource guide for medicinal plants. It’s going to launch at the end of the year. We’re currently working on building out the resource guide, which explores traditional uses of herbs, documents the people that have been working to cultivate medicinal plants , and provides an understanding of how herbs can be incorporated into our daily lives."
“Parenthood has exposed very specific parts of our partnership that are very strong and that we rely on daily in order to make it through the day. We often talk about the fact that because we’ve known each other for so long and have worked under extremely difficult circumstances professionally, our transition to parenthood has been really interesting and fun. I think it has also made us reevaluate where is it that we really feel is important that we show up for each other."
“Mexico City. Hands down. We don’t eat gluten and we eat a mostly plant-based diet, so the food in Mexico City is next level - you can just spend every single day eating your way through the city."
“New York! A lot of my friends are in nightlife so it’s always just a cute vibe. Also, there's such an incredible mix of people and cultures."
“That‘s really hard. I‘m going to say a tie. New York and Mexico City are so inspiring in such different ways. Both places really push you to want to make work, but I think the vibe is so different in each place. I think Mexico City is much more experimental."
“That’s so hard. They're so different! For me, in Mexico City, the best style is found on people you pass on the street, who aren’t necessarily in the fashion or art world. In New York, the looks I find most incredible or inspiring are usually on people who are in the scene."
“It’s been a journey! I definitely had my ‘fashion girl’ moment - a mushroom haircut with shaved sides and COMME des GARÇONS silhouettes. Now, I'm definitely giving off 'on-duty' mom vibes hahaha. It’s more about being comfortable because I am so active. Can I sit on the floor and play? Can I run to the store and grab something? It's pushing towards more classic, I think. I'm heading into like a more simple phase for sure."
“I am forever inspired by my grandmother, Ofelia Alvarez. I have her picture hanging by my desk and whenever I feel anxious or depleted I look to her for inspiration and for encouragement to push through. She was such an incredible human being, and she would always make sure I knew how proud of me she was and how much she loved me. Everything about her inspires me – her fierce and profound love for her family, her tireless work ethic, her style – everything!"
“A place that inspires me is Mexico City. I love being here. I love walking around the streets. I love hearing music. I love hearing Spanish all day. I love hearing parents talk to their children. I love everything about being here. There's nothing like it."
“The other truly inspiring driving force in my life is my son, Tenoch. He inspires me every day to be a good person and to live the kind of life that I hope he will emulate and take to the next level. I just want to create a life experience for him that is so full, rich, and undeniably full of love."